5476 Miles - Review

Thanks to Break Big Film Festival for the first (and very accurate flattering) review for 5476 Miles! 

The Review

"This is a truly beautiful animation! I absolutely loved the hand-made, crafted feel – you can truly sense the magic. The almost painterly frames remind of the recent feature “Song of the Sea”: “5476 miles” balances the same strong visuals and emotional story duo. You were spot on, nailed every single little bit which clearly indicates a strong inclination for detailed visual storytelling. The colours and lighting are well-balanced, your characters charming and the rhythm and visual flow incredibly entertaining. I watched it twice, enough said!  
Points to consider:

• I don’t know if you work in animation professionally, but you should consider it! I think there is an audience out there for this sort of work and with a good story to tell you could reach millions.

• Is there any chance of professionally mastering the song as for the moment the quality between the video and the music recording is clearly different, making the two seem somewhat detached?

• I loved the tiny bits of obvious humour inserted into this somewhat sad story, like the cow hitting the guy’s cage. This is definitely an aspect you should consider expanding in your work, without of course letting it take over."

Last words

Hopefully that made you want to watch it again, or for the first time if you haven't seen it (and we need to reevaluate our friendship). So conveniently, here it is.

Filmmaking ofcourse, isn't just about having nice things said about you... But that being said, engaging and entertaining people is what makes all the messing around with paper long hours and hard work, more than worthwhile.

P.S. The song actually was professionally mastered by this guy!

Mouse delays: a retrospective behind the scenes.

If you're interested in the project that triggered the Amazon order of a saw, lighter fluid, and Vaseline then read on.

Due to a combination of temporal and geographical reasons, including 2/3 of the creative team being on a work placement or not currently being in the country, this project is on an indefinite hold (it'll get done, I just don't know when).

So here's the extensive behind the scenes I promised, I'm going to do my best not to reveal too much but as it's a behind the scenes it may contain some spoilers for the scenes that it's behind, any time travellers may want to view the finished film first.

This is going to contain a lot of detailed pictures, so remember to always think twice you can click on an image to see a larger version of it and that the coloured text are links (not the headers).

Squeak Easy, an introduction.

Meet Ben, or as you may already know him "the voice of Tony the polar bear", a writer/director/mechanical engineering student who likes explosions, gunfights and long walks on the beach.

"This is my work face"

Ben wrote a feature film called The Red Duffle Bag about a struggling writer who ends up robbing a bank because his children's TV show rastamouse Squeak Easy is cancelled and he doesn't have any money or something (it's better than it sounds I promise err.. expect .. should probably read that at some point), so he asked me to do the animated section where the main character is trying to write an episode.

Design and making

I wouldn't call this messy; if you think about it in entropy terms this is pretty close to stuff-in-room equilibrium...

So materials were ordered, mice were drawn and straight after exams in intersemester break we made a start, turning my university room into a workshop... it looks better like this anyway.

Disclaimer: this was a shot between actually doing any of the work, before everything was cleared away so I feel like I should stress the importance of having a clear work area when actually making anything!

The physical manifestation of how much money Ben owes me.

Setmaking

The back walls of the set were jig-sawed from plywood sheets which were screwed onto the frame of the base and secured using little corner brackets. The kitchen cabinets were made from varying sheets of balsa wood and glued and painted.

Protip: Be careful and specific when buying large sheets of plywood as a group of students in university emblazoned hoodies as they will give you the most expensive, gold-plated premium plywood they can find which you'll only discover after they've cut it as you sullenly enter your pin number after offering to pay.

If you're starting to make your own animations you really should own this book. Oh, and there's the set in place in this picture too.

To think some people use this balsa wood for their "degree".

The Reese's chocolate pictured was there because 1) because chocolate and 2) I was originally going to use the card inside to make little cereal boxes, until we decided to use a 3D printer (see propmaking section).

A splash of colour; by which I mean carefully painted.

Thomas and Cochrane Bespoke kitchens

The set floor is a sheet of sticky back plastic,and the windows are intended to be made from acrylic sheets, not pictured.
Trivia: The floor design matches Ben's home kitchen floor (apparently, I didn't know when I ordered it).

Prop making and fridge filling

It's a mouse's kitchen, what else did you expect?

The cheese was made of plasticine and the milk carton and cereal box were 3D printed using the 3D printers at our university, the covers were normal printed and glued on. We then also used the 3D printers to make the shelves in the fridge door, not pictured.

Trivia: The people pictured on the milk carton and cereal box are Ben's siblings, forever immortalised with poorly photoshopped mouse ears next to bad cheese puns, perhaps there is a chance that this will become the last remaining evidence of their existence, their entire lives reduced to an undignified exhibition of their likeness shamelessly merged with another animal and exhibited in miniature, in an interpretation of events that never happened...

Most of the other props were made from Plastiline (Note: not plasticine), a grey air drying clay which was nice to work with but didn't seem to dry as hard as I'd hoped, perhaps I painted them too early.

Some subtle meta referencing going on right here.

Trivia: The TV was designed to look like my computer monitor... isn't that nice?

Guns... completely unrelated to the story of course

Puppet making

First, I sketched the characters; Mickey Michael The Mouse and his Mousey Wife.

That's probably not a samurai sword, you should just ignore that...

Another sketch looking at different possible designs of something that's in all probability... tomato juice or something, hey, look the next section is about armatures!

Armatures

Then I drew a full scale diagram of Michael with the armature design inside.  

Three different gauges of aluminium wire were twisted using a power drill to provide flexibility and support, the thickest making up the spine, and thinnest making up the fingers and the wrist. Brass tubes were used to make the feet, hands, arms and head replaceable as they would be made from silicone, to do this two sizes of brass tubes were used, one which slides into the other snugly, the brass was then dented to make it more secure. 'Bones' were made using Milliput epoxy putty, this is so the the puppet can't bend in the wrong place during animation,as you may find you can't bend your arm between the shoulder and elbow (that may not have been funny but at least it was humerus! I'm so sorry).

They weren't sticking very well at first, so I took appropriate action

The feet were made from two steel plates with wire in-between for realistic walking as the characters were to be secured to the set using magnetic tiedowns.

protip: For more detailed armature building you should have a look at the excerpt from this book (and get that book too)

Body/clothes

This blog is becoming pretty explicit; sorry Michael.

Significant trimming still required

The bodies of the puppets were made using upholstery foam which was glued using contact adhesive and cut into shape with scissors.

 The clothes would be attached directly to the foam, I don't have the specifics on how the clothes were made as they were made by my friend Louise (the 3rd person on this project), but if you're looking for a guide on how to make clothes you might want to have a look at these pictures and this blog.

Silicone

For more detail in making silicone puppets I suggest you check out Stop Motion: craft skills for a model animator and/or The Advanced Art of Stop-Motion Animation, this blog and this video.

Taking appropriate safety precautions

Silicone was chosen because the format of the script required time resetting several times, which would be difficult to do with plasticine as it changes so much from touching it, so silicone was chosen.

 First, to create the plaster mould for the silicone the piece was sculpted in plastiline, then placed in a bed of ordinary potters clay, walls were built around the sculpt to make the walls so the resin plaster could be poured in, for the feet this was done using clay but it becomes more difficult for larger sculpts so the walls were made using left over balsa wood. Impressions were made into the clay to be used as 'keys' to locate the correct position of each half of the mould, to get the sculpt out of the mould a lubricant such as Vaseline should be used so you don't end up breaking your sculpt or mould.

Trivia: I sent Ben to buy some ordinary clay and he came back with air dry clay, which worked equally well, it just meant we had to be quick and had to throw away the clay afterwards.

Step 1.

Step 2.

The plaster was mixed as directed by the instructions: using 3 parts water to 1 part plaster, carefully sprinkle the plaster onto the water then proceed to pour the rest of the plaster all over yourself.

First half of the mould

I'm sure there's some sort of religious joke to be made here

After the balsa wood is removed the clay can be easily removed as it will be soft because the plaster reaction is exothermic.

.

Second half of the mould to be poured in, some plastic wrap was used to prevent the plaster being poured over the foam and being absorbed and difficult to get off.

Armature resting over the mould, more foam was actually added later as I found that after casting the silicone there wasn't enough flexibility in the puppet, so it had to be remade.

Showing both halves of Michael's head mould, the recesses on the left mould were made to allow excess silicone pour out of the sides, and were made by placing pieces of clay to shape the plaster mould.

Michael's head armature, foam was used to make the head lighter and the nose more flexible as thick silicone can become too springy, also the foam was placed over the armature to make sure the silicone sticks as the foam absorbs the silicone.

The armature was placed in the mould and clamped tightly shut, the silicone was then poured in from a significant height to avoid air bubbles

To colour the silicone a small amount of oil colour was added to the silicone and slowly mixed avoiding air bubbles and left for 24 hours to allow the air bubbles to escape before pouring into the mould.

They look a bit like people with large brass hats

Hand armatures with foam. A different method of pouring the silicone into the mould was used, the silicone was first poured (again from a height) over each half of the mould to create a thin layer ('skin') ensuring the silicone reached inside all of the mould without air bubbles. Then silicone was poured in each half of the mould and the armature rested on one side after leaving it for a short amount of time to partially set and finally the two halves were clamped together.

Apparently silicone mice also suffer from severe inbreeding.

The excess was trimmed, and a small amount of silicone thinned with lighter fluid was used to smooth over the join.

Some moulds don't survive

The best way to weigh anything down

When clamps were not viable, other alternatives for keeping the mould tightly shut were used,

Just ignore those rats with gas masks in the background.

Silicone head! Meet Michael The Mouse.

Details were added by piercing the silicone with wire and putting plasticine over it.

Unfortunately I don't have the completely finished models to show you, as they aren't completely finished because we ran out of time and had to get on with our degrees. This is as far as we've managed to get.

The aftermath 

The problem with animation

The problem with animation is that you are literally bringing things to life. Literally. I'm serious. I found this out while making Michael the Mouse, I accidentally cut slightly too far into his head while trimming the silicone where the join of the mould was and instead of finding just pure silicone my scissors hit something... hard.

Apparently Michael The Mouse, grew a mousey skull...

If beauty is truth and art is beauty, then apparently... art is truth.

Add Michael on Facebook

High on creativity, sense of achievement and contact adhesive, in the midst of cabin fever Ben and I decided it would be a good idea to do a bit of online marketing, so why not add "Michael Themouse" on facebook for some frankly inspiring cheese-related updates.

Definitely the thing to do if you've enjoyed this blog (or even if you didn't, just if you're reading this which you definitely are, so you should go and do that; it'll make you look more popular).

Final Trivia: During the making of Squeak Easy it may or may not be true that because Ben missed the last bus he ended up staying in one of the empty rooms that was having repairs done and drying himself with the accommodation provided duvet...
Finally,
Animation is based on acting, so here's me (on the left) in the Red Duffle Bag trailer with no plasticine involved at all.

Exams and festivals

I have an exam tomorrow. I have an exam the next day. I had exams last week...
My polar bears were in London. My polar bears were at the London Short Film Festival. My polar bears were nominated and got a special mention in the Award for best Lo-Budget short at the London Short Film Festival last night. My polar bears went without me...

My polar bears have been going to other places too, from Bristol to Italy to Glasgow and to the American version of the internet:
Encounters Film and Animation Festival 2013, In The Woods Festival 2013 (see previous posts), Festival Cinema Giovane 2013, Electric December 2013, American Online Film Awards 2014 and the Glasgow Film Festival 2014.

Shouldn't I be revising? Yes. Yes I should. I can take a break, right? I just have to be careful that there aren't so many breaks it becomes impossible to fix.

Over the exam horizon, before next semester, is a new short that's part of a larger film (written by the voice of Tony), with silicone mice in a cartoon kitchen with samurai swords, suicide bombers and assassin rats. Expect an extensive behind the scenes on that one shortly.

But until then... back to cancer and quantum physics.

Oh, and here are some more laurels, I like laurels.

5476 Miles design and progress

As the summer of social solitude and lazy content crawls to its slow, reluctant death, suffocated by a pillow of work and responsibility, you may be left thinking "Terry, where's your latest animation that I've really been looking forward to for all this time?(and what nice imagery you've used there)". Well, ideal person who cares about my animation, I didn't finish it in time because making a 4 minute video made entirely of paper is more work than I had anticipated.

So, after much cutting of paper (and metaphorical wrists) I came very close to being ready to start the animation. Animation, you know, that bit that people think is the slow and boring bit? The bit that would (will) only really involve sliding bits of paper around? It turns out that's the quick and fun bit when doing a paper animation, because that's not the bit where you spend hours or days on a piece only to realise it's a small section of a scene that's in shot for just a couple of seconds.

With that in mind I would say that making an entire 4 minute video out of paper is too much for one person to do in a reasonable amount of time, which is why it's coming up to around a year and a half since I drew up the first storyboard, and although it's looking like it's going to be my greatest creative venture to date; in terms of making entire paper videos this will probably turn out to be the last of any.

Design

So, to show that I have actually been working on it over the summer (and to flesh out this blog a little bit more) I thought I'd go through the design process and the cutting (so much cutting, I actually started to injure my hand from using the craft knife for too long), with lots of pretty pictures.

Cut out lots of tiny bird shapes? Flock off.

Those birds were made by using a hole puncher and then cutting out tiny bird shapes with some nail scissors.

The eyes look a bit funny, so I won't draw attention to them by writing about them in the caption.

So, when designing the bits to cut out I drew a sketch first to work out the size and the separate shapes to cut out then did the cutting by eye, later I discovered tracing paper and traced my sketches and just cut along the lines (genius).

The streetlamp is from an arty night scene.

Yes, that's a cow.

As you can see I didn't always make the cut out exactly like the sketch, using it as a guideline and applying a little artistic license.

 For the flight of the birds, I had 2 different basic wing shapes which would (will) be replaced during animation (see animation test a bit further below).

(Just about) Finished bits

Some finished paper bits.

Heart of butterflies

Balloon scene before I'd finished the balloon.

I told you I'd come up with something for the sea bit (see storyboard post)

To give you an idea of scale, the blue background is an A1 sheet, so there won't be that much in the frame at one time because the base of my animation rostrum is a bit smaller than A3.

Animation tests

I've done a small amount of animation when testing concepts and here they are:

Before I cut the circles from the hole puncher into bird shapes.

Testing some eye movements, a vital and amusing part of the singing in music videos.

1st: each frame is a unique wing piece, 2nd: every other frame is a unique wing piece and the wing is moved slightly on the second frame it appears.

I hope I didn't give too much of a miserable impression because I'm actually really excited to get the result of the finished video because in my opinion it'll be my best yet (and should be after this amount of time) and if not then probably the artiest but certainly the paperiest, unfortunately you'll just have to wait a little bit longer to see it.

(psst... if you click on the pictures you can view a larger version, just so you know...)